• MARVEL / Spark of Civil War
    AKQA
    The Mission
    MARVEL / Spark of Civil War
    MARVEL / Spark of Civil War
  • MARVEL / Contest of Champions Deadpool
    AKQA
    The Mission
    MARVEL / Contest of Champions Deadpool
    MARVEL / Contest of Champions Deadpool
  • MARVEL / Contest of Champions
    AKQA
    The Mission
    MARVEL / Contest of Champions
    MARVEL / Contest of Champions
  • NIKE / Snow Day
    Wieden+Kennedy
    Steve Rogers / Biscuit Filmworks
    NIKE / Snow Day
    NIKE / Snow Day
  • HERSHEY'S / Curious Kiss
    Arnold NY
    The Mission / Piotr Karwas
    HERSHEY'S / Curious Kiss
    HERSHEY'S / Curious Kiss
  • HERSHEY'S / Like Me
    Arnold NY
    The Mission / Piotr Karwas
    Hershey's / Like Me
    Hershey's / Like Me
  • HERSHEY'S / Teamwork
    Arnold NY
    The Mission / Piotr Karwas
    Hershey's / Teamwork
    Hershey's / Teamwork
  • MCDONALD'S / Earth's Treasure
    Moroch
    BRWUSA / Fred Raimondi

    To bring to life Director Fred Raimondi and Moroch's vision of some sticky finger aliens, The Mission employed full body motion capture sessions to previz all the alien's moves and mannerisms. The alien world was fully created in CG, from the spaceship to the soda fountain, and of course, the aliens themselves. The alien's facial expressions were hand animated to ensure the photo-realism of the characters and their interactions with the environment. In addition to compositing all the CG, The Mission also did the color and final finishing.
    McDonald's / Making Of
    McDonald's / Making Of
  • GMC / X-Ray
    Leo Burnett Detroit
    BRWUSA / Fred Raimondi
    GMC / X Ray
    GMC / X Ray
  • GMC / Laser
    Leo Burnett Detroit
    BRWUSA / Fred Raimondi
    GMC / Laser
    GMC / Laser
  • NIKON / Small is Huge
    McCann Erickson
    Anonymous Content / Mark Romanek

    The Mission teamed up with director Mark Romanek and McCann/NY. The Mission provided photo real CG cameras, previz, multiple frozen moment effects and graphic type design through out the spot. Due to the various components that were needed, extensive previz was required to ensure layout of the stage was accurate to capture Ashton in each of the 3 vignettes. In addition to that, careful 3d recreation of the frozen moment array was done to ensure the layout of the array worked in accordance with the stage set up at the shoot. This clip shows the progression from previz, edited raw footage from the shoot (includes frozen moment and phantom footage) then onto the finished spot.
    Nikon / Before And After
    Nikon / Before And After
  • NIKE / Leave Nothing
    Wieden+Kennedy
    Alturas / Michael Mann
    Nike / Leave Nothing
    Nike / Leave Nothing
  • US BANK / Now's The Time
    The Kaplan Thaler Group
    Believe Media / Rory Kelleher
    US Bank / Now's The Time
    US Bank / Now's The Time
  • NIKE DSG / Fly
    Wieden+Kennedy
    Park Pictures / Ellen Kuras
    NIKE DSG / Fly
    NIKE DSG / Fly
  • GMC / Inside
    Leo Burnett Detroit
    BRWUSA / Fred Raimondi
    GMC / Inside
    GMC / Inside
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